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Official Broadway League sites:
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| First Preview: |
Dec 05, 2017 |
Total Previews: |
14 |
| Opening Date: |
Dec 17, 2017 |
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| Closing Date: |
Mar 25, 2018 |
Total Performances: |
111
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Production Staff
[See More]
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Theatre Owned / Operated by The Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President) |
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Produced by Sonia Friedman Productions, Shakespeare's Globe, Paula Marie Black, Tom Smedes, Peter Stern, Jane Bergère, Jane Dubin/Rachel Weinstein, 1001 Nights Productions, Elizabeth Cuthrell & Steven Tuttleman, Rupert Gavin, Robyn L. Paley, SGC USA, Tulchin Bartner Productions, Cindy & Jay Gutterman/Marc David Levine, Marguerite Hoffman/Van Kaplan and Shakespeare Road |
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Originally produced for the Sam Wanamaker Playhouse, London by Shakespeare's Globe; Subsequently transferred to Duke of York's Theatre in London, produced by Sonia Friedman Productions and Shakespeare's Globe; Subsequently transferred to Duke of York's Theatre in London, produced in association with Tulchin Bartner Productions and 1001 Nights Productions |
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Written by Claire van Kampen; Music arranged by Claire van Kampen; Musical Director: Robert Howarth |
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Directed by John Dove |
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Production Design by Jonathan Fensom; Lighting Design by Paul Russell; Hair and Wig Design by Campbell Young Associates; Associate Lighting Design: Renée Brode |
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US General Management: Bespoke Theatricals; UK General Management: Sonia Friedman Productions; Company Manager: Deirdre Murphy |
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Production Manager: Aurora Productions; Production Stage Manager: Evangeline Rose Whitlock; Stage Manager: James Latus |
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UK Music Supervisor: Bill Barclay; Musical Coordinator: David Titcomb; Harpsichord: Robert Howarth; Violin: Pavlo Beznosiuk and Chloe Fedor; Viola: Kyle Miller; Theorbo, Baroque Guitar: Daniel Swenberg; Cello: Jonathan Byers; Bass: Pippa MacMillan; Cover Musician: Aaron Brown, Elliot Figg, Maureen Murchie, Hideki Yamaya and Wen Yang |
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UK Costume Coordinator: Lorraine Ebdon Price |
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US Casting: Jim Carnahan, CSA; UK Casting: Matilda James; Press Representative: Sam Rudy Media Relations and Jim Byk; Advertising: SPOTCo, Inc.; Voice and Dialect: Martin McKellan; Photographer: Joan Marcus |
| Tony Award® |
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2018 Best Play [nominee]
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Written by Claire van Kampen; Produced by Sonia Friedman Productions, Shakespeare's Globe, Paula Marie Black, Tom Smedes, Peter Stern, Jane Bergère, Jane Dubin/Rachel Weinstein, 1001 Nights Productions, Elizabeth Cuthrell & Steven Tuttleman, Rupert Gavin, Robyn L. Paley, SGC USA, Tulchin Bartner Productions, Cindy & Jay Gutterman/Marc David Levine, Marguerite Hoffman/Van Kaplan and Shakespeare Road |
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2018 Best Performance by an Actor in a Leading Role in a Play [nominee]
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Mark Rylance |
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2018 Best Scenic Design of a Play [nominee]
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Production Design by Jonathan Fensom |
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2018 Best Costume Design of a Play [nominee]
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Production Design by Jonathan Fensom |
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2018 Best Lighting Design of a Play [nominee]
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Lighting Design by Paul Russell |
| Drama Desk Award |
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2018 Outstanding Costume Design for a Play [winner]
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Production Design by Jonathan Fensom |
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2018 Outstanding Lighting Design for a Play [nominee]
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Lighting Design by Paul Russell |
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2018 Outstanding Wig and Hair [nominee]
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Hair and Wig Design by Campbell Young Associates |
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Ho perso il caro ben (from Il Parnasso in Festa (Act I, Scene 4))
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Alto Giove (from Polifemo (Act I, Scene 4))
(music by Nicola Porpora; lyrics by Nicola Porpora) |
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Fra tempeste funeste a quest'alma (from Rodelinda (Act I, Scene 5))
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Sento la gioia (from Amadigi di Gaula (Act I, Scene 6))
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Se in fiorito (from Giulio Cesare (Act II, Scene 1))
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Venti, turbini, prestate (from Rinaldo (Act II, Scene 3))
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Cara sposa (from Rinaldo (Act II, Scene 4))
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Bel contento (from Flavio (Act II, Scene 5))
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Lascia, ch'io pianga (from Rinaldo (Act II, Scene 6))
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