Theatre Owned / Operated by Jujamcyn Theaters (Rocco Landesman: President; Paul Libin: Producing Director; Jack Viertel: Creative Director; Jordan Roth: Vice President)

Produced by David Binder, Ruth Hendel, Barbara Whitman, Goldberg / Mills, Latitude Link, Arielle Tepper Madover, Bill Resnick, Eric Schnall, Jayne Baron Sherman and Willis / True Love Productions

Originally produced by Tectonic Theater Project (Greg Reiner, Executive Director; Dominick Balletta, General Manager; Jeffrey LaHoste, Senior Producer); Premiered in Washington, DC at the Arena Stage (Molly Smith, Artistic Director; Guy Bergquist, Interim Managing Director; Alan Filderman, Casting Director); Subsequently produced by The La Jolla Playhouse (Christopher Ashley, Artistic Director; Joan Cumming, Interim Managing Director)

Written by Moisés Kaufman; Music by Ludwig van Beethoven; Musical Director: Diane Walsh

Directed by Moisés Kaufman; Choreographed by Daniel Pelzig; Assistant Director: Jimmy Maize

Scenic Design by Derek McLane; Costume Design by Janice Pytel; Lighting Design by David Lander; Sound Design by André J. Pluess; Projection Design by Jeff Sugg; Hair and Wig Design by Charles LaPointe; Additional Costumes by: David C. Woolard; Associate Scenic Design: Shoko Kambara; Associate Costume Design: Amelia Dombrowski; Associate Lighting Design: Justin Partier; Associate Sound Design: Nick Borisjuk; Assistant Sound Design: David Sanderson; Assistant Projection Design: Adam Larsen; Hair and Wig Designer for Ms. Fonda: Martial Corneville; Make-Up Designer for Ms. Fonda: Angelina Avallone

General Manager: 101 Productions, Ltd.; Company Manager: Heidi Neven

Production Manager: Juniper Street Productions; Production Stage Manager: Linda Marvel; Stage Manager: Pat Sosnow; Assistant Stage Mgr: Melissa M. Spengler

Music Consultant: Michael Friedman

Dramaturg: Mark Bly; Casting: James Calleri; Director of Marketing: Eric Schnall; Press Representative: Boneau / Bryan-Brown; Advertising: Serino Coyne, Inc.; Photographer: Joan Marcus; Assistant to Mr. Binder: Ryan H. Mackey

Developed with assistance from The Sundance Institute Theatre Program, The Orchard Project Theatre Residency Program, The Davis Performing Arts Center and Theater and Performance Studies at Georgetown University and The Krannert Center for the Performing Arts and the University of Illinois, Urbana-Champaign