2026 Winner
June Squibb (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.), Cynthia Nixon (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.), Danny Burstein (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.) and Christopher Lowell (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.)
2026 Winner
June Squibb (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.), Cynthia Nixon (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.), Danny Burstein (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.) and Christopher Lowell (as part of the resonant quartet of Second Stage Theater’s revival of “Marjorie Prime,” who palpably tap into the emotions that make us human, even when playing AI versions of their characters, in Jordan Harrison’s prescient play about memory, aging, technology, and grief.)