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The Producers
The New Mel Brooks Musical
| First Preview: | Mar 21, 2001 |
Total Previews: | 33 |
| Opening Date: | Apr 19, 2001 |
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| Closing Date: | Apr 22, 2007 |
Total Performances: | 2502 |
| Production Staff [Collapse] |
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| Theatre Owned / Operated by Jujamcyn Theaters (James H. Binger: Chairman; Rocco Landesman: President; Paul Libin: Producing Director; Jack Viertel: Creative Director) |
| Produced by Rocco Landesman, SFX Theatrical Group, The Frankel-Baruch-Viertel-Routh Group, Bob Weinstein, Harvey Weinstein, Rick Steiner, Robert F.X. Sillerman and Mel Brooks; Produced in association with James D. Stern and Douglas L. Meyer; Associate Producer: Frederic H. Mayerson, Rhoda Mayerson and Lynn Landis |
| Book by Mel Brooks and Thomas Meehan; Music by Mel Brooks; Lyrics by Mel Brooks; Musical Director: Patrick S. Brady; Vocal arrangements by Patrick S. Brady; Music orchestrated by Doug Besterman; Music arranged by Glen Kelly; Uncredited orchestrations by Larry Blank |
| Directed by Susan Stroman; Choreographed by Susan Stroman; Associate Director: Steven Zweigbaum; Assistant Director: Scott Bishop; Associate Choreographer: Warren Carlyle; Assistant Choreographer: Lisa Shriver |
| Scenic Design by Robin Wagner; Associate Scenic Design: Dave Peterson; Assistant Scenic Design: Atkin Pace and Thomas Peter Sarr; Costume Design by William Ivey Long; Associate Costume Design: Martha Bromelmeier; Assistant Costume Design: Tom Beall; Assistant to William Ivey Long: Laura Oppenheimer and Heather Bair; Lighting Design by Peter Kaczorowski; Automated Light Programmer: Josh Weitzman; First Assistant Lighting Designer: Paul Miller; Assistant Lighting Design: Mick Smith and Philip Rosenberg; Sound Design by Steve Canyon Kennedy; Associate Sound Design: John Shivers; Hair and Wig Design by Paul Huntley; Make-Up Design by Randy Houston Mercer |
| General Manager: Richard Frankel Productions and Laura Green; Company Manager: Kathy Lowe; Associate Co. Mgr: Jackie Newman |
| Technical Supervisor: Juniper Street Productions; Production Stage Manager: Steven Zweigbaum; Stage Manager: Ira Mont; Assistant Stage Mgr: Casey Aileen Rafter and Alexis Shorter |
| Musical Coordinator: John Miller; Musical Supervisor: Glen Kelly; Conducted by Patrick S. Brady; Associate Conductor: Phil Reno; Concert Master: Rick Dolan; Woodwind: Vincent DellaRocca, Steven J. Greenfield, Jay Hassler, Alva Hunt and Frank Santagata; Trumpet: David Rogers, Nick Marchione and Frank Greene; Tenor Trombone: Dan Levine and Tim Sessions; Bass Trombone: Chris Olness; French Horn: Jill Williamson; Violin: Ashley D. Horne, Louise Owen, Karen M. Karlsrud and Helen Kim; Cello: Laura Bontrager; Harp: Anna Reinersman; String Bass: Robert Renino; Drums: Cubby O'Brien; Percussion: Benjamin Herman; Keyboard: Phil Reno; Music Preparation: Miller Music Services |
| Casting: Johnson-Liff Associates; Press Representative: Barlow-Hartman Public Relations; Dance Captain: Brad Musgrove and Christina Marie Norrup; Advertising: Serino Coyne, Inc.; Photographer: Paul Kolnik and Norma Jean Roy; Promotions/Marketing: The Marketing Group; Supervising Property Master: Laura Koch |
| By special arrangement with StudioCanal |
| Swings: Jim Borstelmann (Swing), Adrienne Gibbons (Swing), Jamie LaVerdiere (Swing), Brad Musgrove (Swing) and Christina Marie Norrup (Swing) |
| Understudies: Jim Borstelmann (Franz Liebkind, Roger De Bris), Jeffry Denman (Franz Liebkind, Leo Bloom), Ida Gilliams (Ulla), Jamie LaVerdiere (Carmen Ghia, Leo Bloom), Brad Musgrove (Carmen Ghia, Roger De Bris), Brad Oscar (Max Bialystock, Roger De Bris), Angie L. Schworer (Ulla) and Ray Wills (Max Bialystock) |
| 2001 Tony Award® Best Musical |
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 | Produced by Rocco Landesman, SFX Theatrical Group, The Frankel-Baruch-Viertel-Routh Group, Bob Weinstein, Harvey Weinstein, Rick Steiner, Robert F.X. Sillerman and Mel Brooks; Produced in association with James D. Stern and Douglas L. Meyer [winner] | | 2001 Tony Award® Best Book of a Musical |
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| Book by Mel Brooks and Thomas Meehan [winner] | | 2001 Tony Award® Best Original Score |
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| Lyrics by Mel Brooks; Music by Mel Brooks [winner] | | 2001 Tony Award® Best Actor in a Musical |
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| Nathan Lane [winner] |
| | Matthew Broderick [nominee] |
| 2001 Tony Award® Best Featured Actor in a Musical |
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| Gary Beach [winner] |
| | Roger Bart [nominee] |
| | Brad Oscar [nominee] |
| 2001 Tony Award® Best Featured Actress in a Musical |
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| Cady Huffman [winner] |
| 2001 Tony Award® Best Scenic Design |
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| Robin Wagner [winner] |
| 2001 Tony Award® Best Costume Design |
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| William Ivey Long [winner] |
| 2001 Tony Award® Best Lighting Design |
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| Peter Kaczorowski [winner] |
| 2001 Tony Award® Best Choreography |
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| Susan Stroman [winner] |
| 2001 Tony Award® Best Direction of a Musical |
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| Susan Stroman [winner] |
| 2001 Tony Award® Best Orchestrations |
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| Doug Besterman [winner] |
| 2001 Drama Desk Award Outstanding New Musical |
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| Produced by Rocco Landesman, SFX Theatrical Group, The Frankel-Baruch-Viertel-Routh Group, Bob Weinstein, Harvey Weinstein, Rick Steiner, Robert F.X. Sillerman and Mel Brooks; Produced in association with James D. Stern and Douglas L. Meyer [winner] | | 2001 Drama Desk Award Outstanding Book of a Musical |
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| Book by Mel Brooks and Thomas Meehan [winner] | | 2001 Drama Desk Award Outstanding Actor in a Musical |
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| Nathan Lane [winner] |
| | Matthew Broderick [nominee] |
| 2001 Drama Desk Award Outstanding Featured Actor in a Musical |
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| Gary Beach [winner] |
| | Roger Bart [nominee] |
| 2001 Drama Desk Award Outstanding Featured Actress in a Musical |
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| Cady Huffman [winner] |
| 2001 Drama Desk Award Outstanding Choreography |
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| Susan Stroman [winner] |
| 2001 Drama Desk Award Outstanding Director of a Musical |
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| Directed by Susan Stroman [winner] | | 2001 Drama Desk Award Outstanding Orchestrations |
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| Doug Besterman [winner] |
| 2001 Drama Desk Award Outstanding Lyrics |
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| Lyrics by Mel Brooks [winner] | | 2001 Drama Desk Award Outstanding Set Design of a Musical |
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| Scenic Design by Robin Wagner [winner] | | 2001 Drama Desk Award Outstanding Costume Design |
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| William Ivey Long [winner] |
| 2001 Drama Desk Award Outstanding Lighting Design |
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| | Peter Kaczorowski [nominee] |
| ACT 1 | Sung By |
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| Opening Night | Ensemble |
| The King of Broadway | Max Bialystock and Ensemble |
| We Can Do It | Max Bialystock and Leo Bloom |
| I Wanna Be a Producer | Leo Bloom and The Accountants |
| We Can Do It (Reprise) | Max Bialystock and Leo Bloom |
| In Old Bavaria | Franz Liebkind |
| Der Guten Tag Hop Clop | Franz Liebkind, Max Bialystock and Leo Bloom |
| Keep It Gay | Roger De Bris, Carmen Ghia, Bryan, Kevin, Scott, Shirley, Max Bialystock and Leo Bloom |
| When You Got It, Flaunt It | Ulla |
| Along Came Bialy | Little Old Ladies and Max Bialystock |
| Act One Finale | Max Bialystock, Leo Bloom, Franz Liebkind, Ulla, Roger De Bris, Carmen Ghia, Bryan, Kevin, Scott, Shirley and Ensemble |
| ACT 2 | Sung By |
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| That Face | Leo Bloom, Ulla and Max Bialystock |
| Haben Sie Gehoert Das Deutsche Band? | Jason Green and Franz Liebkind |
| Opening Night (Reprise) | The Usherettes |
| You Never Say 'Good Luck' on Opening Night | Roger De Bris, Max Bialystock, Carmen Ghia, Franz Liebkind and Leo Bloom |
| Springtime for Hitler | Lead Tenor, Roger De Bris, Ulla and Ensemble |
| Where Did We Go Right? | Max Bialystock and Leo Bloom |
| Betrayed | Max Bialystock |
| 'Til Him | Leo Bloom and Max Bialystock |
| Prisoners of Love | The Convicts |
| Prisoners of Love (Reprise) | Roger De Bris, Ulla and Ensemble |
| Leo and Max | Leo Bloom and Max Bialystock |
| Goodbye! | The Company |
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